Sunday, 19 December 2010

Bad Dinghy Sailing for Dummies

Some years ago, having fortuitously acquired a vintage sailing dinghy, I was granted the opportunity to pursue a hobby I had wanted to try ever since my Dad had taken me sailing as a land-lubbing adolescent. Now, older and slightly wiser, I have settled into a period of semi-retirement from the sport, due in equal part to me actually coming to my senses and the explosion of the vehicle employed to tow my boat. Nonetheless, creatively fuelled at the time by a rather disturbing personal life perhaps more usually associated with that of the inhabitants of Pluto, I was sufficiently inspired by my nautical experiences to come up with the following creation. To spare you the ordeal, I have included only excerpts from the full manual, which, actually, was the first thing I ever wrote, so bear that in mind, ok? In the meantime, read on, and discover how to be bad at sailing...


Bad Dinghy Sailing for Dummies...

......It is the object of this manual to introduce the beginner to the fundamentals of sailing, and also to be of some use to the novice, as other important areas are explored. These include: How to fall overboard without looking silly, avoiding potentially violent arguments with other water users, how not to upset your crew by yelling obscenities at them, and of course, how to survive a week-long fishing trip with the in-laws.



CHAPTER 1
Before we take to the water….


The most common mistake made by the inexperienced sailor is to eagerly leap aboard their launch without first planning thoroughly the task that lies ahead. In fact, eagerly leaping aboard one’s launch can prove a big mistake at any time, especially if she isn’t properly tied to the jetty. Such incidents invariably end in doing the splits, and quite often a trip to hospital.


What sort of boat?

The first question to be asked is “What do I want my boat for?” A silly question you might say, but it is a fact that some boat owners never intend to launch their boat into the water, choosing instead to park it on their driveway just to look at, or sit next to.

Let us say then, that the owner of this manual is thinking about day sailing; that is, a nice leisurely trip on either inland or coastal waters involving a return home the same day. It should be pointed out at this stage that although this will technically be the case, it always seems to take ages putting everything away, and there is never time when you get home for things like having your tea, or watching telly. Clearly for us then, there is no point in buying a small child’s inflatable dinghy, nor is there any reason to own a 4-berth 25-foot cruiser, although this would dramatically improve our popularity. If this were solely our aim, a gleaming catamaran would certainly be the best choice. The boat for us should be a 12 or 14-foot dinghy: easy to transport and launch single-handed, but with the potential to be entered in a race one day, whether deliberately, or by taking a wrong turn.


What shall I wear?

The question of what clothing to buy before we go sailing is very important, and can sometimes mean the difference between life and death. Our keen young yachtsman would certainly die a death if he or she walked into a packed sailing club bar looking like something from “The Thing from 50,000 Fathoms.” Likewise, turning up wearing freshly pressed chinos pulled to the nipple would also get big laughs. Image is not our only consideration, however. Apart from keeping us warm and dry, our clothing should always be a nice colour; the brighter the better. Not only does this make us more visible in the event of falling overboard, it also helps when trying to avoid tripping over somebody who is sprawled unconscious on the deck having been struck by the boom.


What to take with you

Again, preparation is the key. As budding sailors we must learn to be as organised as possible, and to always watch other more experienced crews to see how they go about arranging their decks, learning from any mistakes we see them make. Don’t be afraid to make up lists of even the most basic requirements. Take the example of the famous Americas Cup contestant, Ralph F. Peasbody, renowned for his endless lists and obsessive drive for perfection. He had travelled 4,000 miles to get to the start of the great race, when on his arrival, although he had remembered everything on his list of things to bring, he realised he had forgotten his boat, which sat 4,000 miles away on his driveway. It said much of his skill at the helm, not to mention the hapless navigational skills of his rivals, that he still managed to finish third, even having returned home to get his boat.

As a rough guide to help with our preparations, there follows three lists detailing all manner of nautical equipment, divided into different priorities:


HIGH PRIORITY:

Boat, Mast & Rigging, Sails, Rudder, Tiller, Paddle, Lifejackets, Cool-box full of beer

MEDIUM PRIORITY:

Spare clothing, Compass & Charts, Spare ropes, Tool kit, Enormous packed lunch, Flip-flops

LOW PRIORITY:

Wife, Mobile Phone, Air rifle, Pets, Shaving equipment, Television set, Ear-muffs


These lists are by no means exhaustive; as you become more experienced you will soon add your own essentials. A note on spare clothing: Dry clothes can be a godsend at the end of a hard day’s sailing, but it can also be very useful to take a set of wet clothes with you too. A skipper emerging from his vessel at the shore sporting dripping wet attire will always get the sympathy vote from any onlookers. This can easily turn into a welcome set of helping hands dragging your boat onto its trailer (a virtually impossible task, covered in a later chapter), or at the very least, a free drink at the club bar later.


Sailing jargon explained…

Before we begin to discuss the practicalities of rigging and launching our boat, we must first familiarise ourselves with the terms used to communicate commands from skipper to crew, and vice versa. It would be pointless, and indeed potentially dangerous, if commands were misunderstood. For example, on the skipper’s call of “We’re sailing by the lee!” the crew should not all suddenly launch themselves overboard and start swimming frantically towards the shore. Nor should they start dancing round on the foredeck, singing “A Sailor’s Life for Me.”

The following is a brief list of commands followed by their meanings, and the appropriate response from the crew:

COMMAND: "Ready about?"

MEANING: Prepare to tack

RESPONSE: "Aye!"


COMMAND: "Lee-Ho!"

MEANING: We're tacking

RESPONSE: (Just concentrate on what you're doing in case you get shouted at)


COMMAND: "Stand by to gybe!"

MEANING: Prepare to gybe

RESPONSE: "Aye!" (Hold onto something, as this may well go wrong)


COMMAND: "We're running by the lee!"

MEANING: Watch out in case the wind flips the boom around

RESPONSE: "Aye-aye!" (Take evasive action immediately - safest place below the foredeck)


COMMAND: "Watch that burgee!"

MEANING: Look up at the flag atop the mast, you're not steering properly

RESPONSE: "Look, who's steering this damn thing, me or you?"


COMMAND: "Run the mainsheet, run the mainsheet...!"

MEANING: Let go of the mainsail immediately, you're about to bloody capsize us

RESPONSE: "I didn't want to steer anyway, you made me! I knew I should've played golf instead."


CHAPTER 2
Now we’re ready to sail…


Okay, so we’ve planned our sail down to the tiniest detail and are now familiar with some of the commands we might expect to hear on board our boat. It’s now time to learn how to rig our boat, that is, to put up (step) the mast and sails, along with all the hundreds of fiddly bits and pieces we need to attach/arrange/coil up/fasten down/throw in the back of the car/generally sort out before we set sail.

Any captain worth his salt is always on the lookout for ways of avoiding any hard work so he can concentrate on more important skipper-type activities such as chatting to bikini-clad sunbathers, or strutting up and down the jetty admiring his reflection in the water. The procedure of stepping the mast is certainly worth avoiding, as it can easily turn into an embarrassing calamity when the inadequately controlled mast topples over, sending innocent bystanders scurrying for cover with their hands in the air. At times like these, the captain can turn to his well-rehearsed repertoire of prepared excuses to retreat to safety. Among the most widely used are: “I think I might have left the car unlocked,” or “Damn, I’ve left my sandwiches on the kitchen table,” or “Is that Larry Wiseman over there?” or, the ever-reliable “I’ve just remembered, I forgot to let the dog out for a piss.”

Now we have our boat rigged and ready for launching, it is a good time to have one last check around to make sure we haven’t forgotten anything. Many a time has a boat taken to the water without some vital part having been properly fixed. Imagine the embarrassment if, on letting fly our spinnaker, it took off into the air and flew into the distance because someone had forgotten to clip it to the halyard? Even worse, there are few more dangerous mistakes to make than disappearing from the jetty with a boat full of rowdy crew tanked-up on lager, without having first kissed your wife goodbye and promised you’ll be home in time for tea.


Launching

Let us assume we’ve taken our boat to the water’s edge and successfully got her afloat from her trailer without any embarrassing mishaps. Commonly-made mistakes here include losing one’s footing on the slippery slope and ending up sitting waist deep in water, forgetting to keep hold of the painter (the rope attached to your bow) while struggling to remove your trailer from the water and having to watch helplessly as your beloved vessel floats out to sea, or even, the water flooding in over the top of your wellingtons resulting in an unavoidable torrent of obscenities in front of your friends and family. Make secure your boat to the jetty (knots are covered later in this book), and allow time for one more check over to make sure all is ship-shape. Ensure all loose objects are tied down. Not only is this crucial in the event of a capsize, it also prevents anything from being blown away by the dangerously strong winds you are bound to encounter now that you’ve finally got round to getting the boat out of the garage (In 1963, a major shipping disaster was narrowly avoided when Captain Hamish Mactosh’s toupee was blown off in a gale, landing in the face of his helmsman and causing him to blindly steer into the path of a fully-laden herring trawler. A collision was only avoided by the quick thinking of the first mate, who deftly flicked the fluttering toupee clear with the end of a paddle).


First time out

Let us be clear with our fundamental objectives as we leave the safety of the land for the first time. All we want to do at this point is leave the shore, sail around for a bit, and then come back all without totally destroying our boat. With this in mind, set yourself a target such as reaching a specified point on the water, and on reaching that point, refusing to succumb to panic and therefore remaining capable of turning round and coming back ashore safely. A good young skipper with potential will aim for a buoy or something similar no less than half a mile out to sea. A cowardly no-hoper will drift uncontrollably into the middle of the harbour before being forced to row back to the jetty.

Now we have successfully been for a spin and have some degree of confidence on the water, it’s time to look more carefully at the various manoeuvres we must master before we can call ourselves sea-worthy. If at this point we have been reduced to a dribbling nervous wreck, then perhaps it’s time to think about selling our boat, and buying instead a nice trailer tent.


Points of sail

The term “points of sail” should never be confused with the question “What is the point of sailing?” The point of sailing is clearly an exercise in getting one out of the house for a bit of peace, while at the same time making one look sophisticated. The “points of sail” is a term used to describe the direction in which a boat is travelling in relation to the wind. These are detailed below:


Beating:

This term gets its name from the notion that you are “beating the wind”. We sail as close to the oncoming wind as possible, usually at about 45 degrees. It does not originate from the commonly-used culinary term. Any kind of culinary activities on board our boat must be strongly discouraged at this stage.


Reaching:

This manoeuvre is from where the expression “plain sailing” originates. It is commonly regarded as the easiest and most pleasant form of sailing. A particularly nice form of "reaching" is reaching for the beer and crisps stash beneath the foredeck. Reaching is always done at right angles to the wind.


Broad Reaching:

A variation of reaching, this involves turning away from the wind slightly. Too-broad-a reach can result in a calamitous gybe (covered earlier).


Running:

When running, we are sailing with the wind behind us. It is also used to describe the motion of a skipper who has hurriedly beached his vessel and is quickly making his way to the nearest large tree with his hand clamped to his groin.


Tacking:

This is the name given to the manoeuvre of turning our boat when heading windward. Its name derives from the ancient security measure of leaving drawing pins lying on the deck, causing any bare-footed intruders to dance around in a frenzy. (Note: this activity is replicated by a crew tacking in high winds.)


Gybing:

This name is given to the manoeuvre of turning our boat when heading downwind. It should not be confused with “jiving,” an activity banned on boats since the 16th century. Any crew members caught jiving were first forced to dance to the captain’s favourite record instead, then thrown overboard for having such poor musical taste.


Reefing

This is a process by which the area of sail we are carrying is reduced to compensate for a strengthening wind. It is best to do this before we actually set sail, but as always seems to be the way, the weather will drastically change the minute we leave the shore, and so the procedure is nearly always performed in a raging tempest by a panic-stricken crew. It is always best to keep a calm head in such situations. Lowering the mainsail completely and hiding underneath it crying won’t help anyone, nor would pretending to fall overboard and swimming round for a bit while your crew fix the situation; a captain should never leave his boat, even if it has accidentally been set on fire by the cook.

It is clear then, that a good captain will calmly take control of the situation. The mainsail is rolled up from the bottom and replaced on the mast with the minimum of disruption to our course, and certainly without the need to scream at the crew. This can only create unrest and resentment, and can even lead to a full mutiny. At the very least, it can lead to our being tied to the mast and forced to watch while the crew devour our packed lunch between them.


CHAPTER 3
Safety procedures and what to do if things go wrong


In this chapter we will examine the procedures undertaken in the unfortunate event of things going horribly wrong. It is sometimes inevitable that, although we have properly planned our trip and are fully competent in our craft, something will happen to send the whole thing pear-shaped. Always expect the unexpected to happen, because you can bet your bottom dollar it will, and quite often, just at the most inconvenient moment.

Common unexpected occurrences to be on the lookout for include:

• A sudden change in wind direction

• Other out-of-control vessels rapidly heading in your direction

• Your vessel becoming out-of-control and rapidly heading in the direction of other vessels

• Your helmsman falling backwards off the stern having consumed all the alcohol on board

• Losing control of your vessel as you fight off seagulls trying to eat your sandwiches

• Snagging your fishing hook on a passing boat and being dragged at speed over the side

• Your mother-in-law ringing you telling you to get back home to your wife.


Capsizing

It is a certainty that at some point in our sailing career we will be faced with a capsized boat. The fact that you are reading this very manual bodes well for your chances of avoiding one, but it is surprising how many people take to the water without acquainting themselves with a good basic sailing knowledge. Nonetheless, it will happen to you, especially if you insist on posing astride the foredeck, leaning on the mast wearing your sunglasses. Let us then, look at what happens in more detail.

An onlooker can always tell when a boat is about to capsize. Telltale signs include the boat leaning at an unnatural angle in an immense gust of wind, the captain and crew dancing about in a blind panic, and also, the captain swinging at his hapless crew with an oar. Therefore, we should anticipate these signs before they happen.

The golden rule when it comes to a capsized boat is always blame somebody else. A captain should never accept the blame for spilling his crew into the water together with everyone’s nibbly snacks and supply of booze. It is your fundamental right as skipper to yell at somebody else (usually the first mate), berating them indiscriminately as you bob about together in the water. Commonly-used insults are:

• I told you that was about to happen

• Well how was I supposed to know that was about to happen?

• What did you do that for, my Grandmother’s a better sailor than you

• Oh that’s just great, these are new trousers

• Help, I can’t bloody swim


Getting our boat upright again is simply a matter of splashing round in the water for as long as it takes for the crew to pull her up and bail her out. Only when this process is complete should you declare “I think I’ve got the hang of this swimming lark now,” and doggy-paddle your way back to the boat. This is an important point, as performing a complex stroke such as front-crawl or butterfly is sure to arouse the crew’s suspicions as to our true swimming capabilities.

Remember, don’t get carried away in apportioning the blame; becoming too insulting could lead to your crew sailing off without you, an embarrassing fate to be avoided at all costs. As a guide, stick to the above list until you feel more confident in your ability.


Man overboard

When a member of the crew is lost overboard, it is down to the quick thinking of the skipper and remaining crew (if any) what should happen next. Basically, the speed at which you return to the stranded person should always vary in direct proportion to their popularity amongst those still on board. For example, if the “floater” is your date who you are trying desperately hard to impress, it is strongly advisable to return to them immediately, either apologising profusely, or complimenting them on their diving technique. On the other hand, should the floater be the pain in the a**e of the crew who is always moaning and stealing everybody’s crisps, they should be left to bob about for at least half an hour while you and the rest of your crew go off for a bit of a sail. Of course, this should not be the case if the water is freezing cold. In such conditions they should be left for an hour, or until they begin to blubber, whichever comes first.

There are other points to consider when plucking a "floater" from the water. Such considerations include:

• Are you relying on them for a lift home? If so pick them up without delay

• Is the person sufficiently slim to pull aboard, if not, a capsize may result

• Failure to rescue the only sailing club member aboard could forfeit entry to the bar later

• Would it be more of a laugh for you and your mates to cheer them on as they swam ashore?

• Is the floater your wife who didn’t want to come sailing anyway? If so, rescue immediately.


Avoiding collisions

When sailing a boat in congested areas the same principles apply as when driving a car through a busy city centre. Obviously, there are certain do’s and don’ts to be considered before we charge through a busy shipping lane in our nippy little 14-foot dinghy, the main ones of which are shown below:

DO: Give way to large on-coming vessels at all times

DON'T: Try to divert the course of a cruise liner coming your way by gesticulating frantically


DO: Always remain in a fit physical condition to properly control your boat

DON'T: Get so trollied that you can't even focus, let alone control your boat


DO: Avoid sailing too close to any harbour walls, jetties or promenades

DON'T: In avoiding a collision, sail at speed into any harbour walls, jetties or promenades


DO: Retain poise and dignity at all times, treating other water users with respect

DON'T: Hurl abuse at other water users who may inadvertently get in the bloody way


Rowing

It goes without saying that rowing is the most boring, tiring and unpleasant activity that anyone can perform on board a boat. That is to say, except for dropping a shackle pin beneath the deck boards and having to search for hours amongst God-knows-what with freezing-cold fingers. Our experienced skipper can avoid the need to row by keeping an eye on weather conditions, or not forgetting to bring the sails, but sometimes there is no avoiding having to dip our trusty oars in the water.

When the decision has been made that we must indeed scramble our rowlocks, as Captain we must keep a cool head, and not resort to tantrums and foot-stamping just because we’re faced with an endless row home. An experienced skipper with skill will be able to persuade a loyal crew member to don the oars for him without receiving a single complaint, and certainly without finding himself having to take evasive action from flying rowlocks launched in his direction. And so it follows, that reclining on the deck with a nice cool beer in one hand and a bottle of Ambre Solaire in the other, saying things like “Wake me up when we get there” or, “Can’t you go any faster, I’m hungry,” should be strongly discouraged. Such insensitive comments can surely only result in an oar to the face.

So, in summary, try to avoid finding yourself in the position of having to row your boat in the first place, and if this can’t be avoided, exercise tact in forcing someone else to do it for you.


A word on a knot or two…

To our sailing dinghy, ropes are as essential an item as the sails, rudder, mast, or our emergency stash of chocolate bars that we’ve hidden behind the seats. Essentially, they are used to control the sails, secure our boat to a mooring or jetty, or generally get tangled up on some object or person just at the worst possible moment.

As our reliance on rope has increased, so has our ability to securely fasten them to our boat or jetty, or indeed any crew member finding themselves in the skipper’s bad books. There follows a brief list featuring some of the more common knots, and their uses:


Bowline:

A useful knot for making a temporary eye, or a very permanent one if you make a hash of it. Will not slip if tied by someone who knows what they’re doing.


Round turn and two half hitches:

One for the beginner: simply tie as big a knot as you can till it resembles a large bird’s nest. Used to tie up to a ring or post.


Sheet Bend:

Used to tie two ropes together. Name derives from "round the bend," which is where the beginner is driven when both ropes fall separately to the floor in a heap upon completion


Figure of eight knot:

Used to stop a rope running through a block. If it ends up looking more like the number "68,986," you’ve done it wrong.


Triple hitch thigh splice:

A very handy knot used to reduce chafing whilst wearing oversized shorts.


Smelly Granny:

One of the oldest knots known to man; highly unreliable and bound to slip just when you don’t want it to. Only tie in a complete emergency, or when you’ve forgotten how to do the other knot you know.


Sheep flank wangle:

No explanation available.


Recovering our boat from the water

Like many other aspects of sailing, it is all a matter of keeping one’s cool throughout what is sure to be an extremely stressful experience. The more helping hands you can find the better, but it is a fact that at this point in the day, most or usually all of your crew will have buggered-off home because they were “bloody freezing,” or “had some shopping to do.” So it will almost all the time be a case of having to “drag the bloody thing out yourself then.”

First things first: we must establish the safest and most efficient method of bringing our boat to the shore without causing a panic amongst the crew, or indeed a panic amongst any unsuspecting sunbathers on the beach. Also, it is always beneficial to bring our boat in without having inserted a large hole in her hull from some unseen obstacle beneath the surface (e.g. a shopping trolley, or burnt-out car). Not only would this make us look like a bunch of amateurs, it would also make landing exceptionally tricky, owing to the boat having sunk.

Obviously, the above process is determined by several factors, including weather conditions, tidal conditions, space to manoeuvre and also the amount the helmsman has had to drink. Once you have chosen your target at the shore, it is simply a matter of approaching under full control, and not at breakneck speed with your eyes closed and your crew assuming the crash position. If you are approaching in a headwind it is simply a case of choosing which tack to come in on, and upon almost reaching the shore, casting overboard your tallest crew member to see if he/she can stand up without blowing bubbles. If this is the case, lower your sails, and start packing away your lunch while you are pulled to the beach or jetty.

If, however, you are approaching with a tailwind, a different course of action is required. There are two basic methods from which to choose. Firstly, you can sail in as close to the shore as you dare, and at the last minute, flip your bow round into the wind and start frantically lowering your sails before you inadvertently take off again lengthways along the beach. The second technique involves using our newly-learned commands to warn other people of our impending landing manoeuvre. Approach the shore as normal, and upon reaching a point 30-feet away, give the command “Get the hell out of the way, we’re coming in!!!” This should certainly do the trick, alerting other traffic to your presence, and also creating a nice clear space to aim for on the beach.

An extra technique often employed is to actually jump overboard, in the hope that your vessel misses everybody. If this isn’t the case, one can always say you tripped, or even that someone pushed you in for a joke.

Now that we have successfully arrived at the shore, we must quickly and efficiently get our boat sitting on her trailer. This is important so as not to obstruct other water users from launching or landing, but also because at this point we are bound to be frozen to the bone and absolutely starving, and therefore most susceptible to violent outbursts and uncontrollable urges to throw things at our boat. The task we are faced with is almost impossible, and we must expect to get ourselves even wetter as we struggle trying to wrestle a boat, whose weight feels comparable to a jumbo jet full of pianos, onto a submerged trailer whose wheels are embedded in mud and surrounded by large television set-shaped rocks. Many exhausted sailors have been reduced to helplessly splashing about in chest-high water at this stage, still wearing their Wellington boots.

Another word of warning: be fully prepared for your boat to start floating off just when you’re ready to begin dragging the trailer out of the water. This is really most annoying, and one of the most likely causes of “boat rage” we are likely to encounter.

********************************

I hope that you have found this brief manual interesting and of some use in your studies. It should be said that we can read numerous technical publications such as this one, but there really is no substitute for actually getting out there on the water and gaining some good experience. You have taken your first successful step to becoming a good sailor by choosing to read this book, so now its time to put it all into practice and, above all, have some fun!

Let’s just hope for a nice weather forecast...




© Matthew Jenkins 2008

mattofjenko@yahoo.co.uk

Wednesday, 15 December 2010

The Entertainer


Whilst recently visiting a dentist for an X-ray of a set of spectacularly impacted wisdom teeth, I chanced upon a discarded copy of Entertainment Occasionally amongst various other glossy weeklies strewn across the coffee table. As I flicked through the pages, trying to ignore the discomfort associated with the growth of a pair of tusks, my attention was drawn to the following article:



The Entertainer



Rudy Fishkin:

Is this man a Genius...?



Rudy Fishkin needs no introduction. He is a true legend. However, for the benefit of the un-educated amongst our readership, perhaps we should introduce him anyway...


Rudy Fishkin has had arguably one of the most successful careers in show business, spanning almost 70 years. As an actor, writer, director, musician, and more recently a respected philosopher, New Yorker Fishkin has excelled in every aspect of his creative life, in the process earning the status of cultural icon amongst his legion of inspired followers. He has won numerous awards for his work from all corners of the globe, whether from the world of literature, cinema, or classical music. Famously reclusive, he has always spurned intrusion into his private life, choosing instead to express himself in his chosen artistic media. His eccentricity is well-reported, as is his troubled personal life and difficulty in dealing with fame.


During a rare public appearance as part of his recent 80th birthday celebrations, Entertainment Occasionally managed to secure an interview with the elusive Fishkin. As can be seen, he is as full of enthusiasm for his work as ever despite his advancing years, although the inevitable slowing of his great mind does occasionally lead to periods of slight confusion.


Entertainment Occasionally gives you, Rudy Fishkin...


EO: Well, first of all Mr Fishkin, happy birthday!
RF: It’s my birthday?


EO: Well, last week, happy belated birthday
RF: No, no, no – it’s not till next month.


EO: You had a special dinner put on by the British Academy of Film and Television, last week, at the Savoy?
RF: That’s why there was a cake...


Confused, Fishkin surveys the various snacks laid out on the coffee table in his plush hotel room...


EO: After 70 years at the top, it’s hard to know where to start...
RF: How about at the beginning?

EO: Yes, let’s start at the very beginning. How old would you say you were when you first realised you wanted to entertain people?
RF: Do you want a pretzel?


EO: Er, thanks.
RF: Shouldn’t myself. I have a stomach ulcer the size of a fried egg.

EO: What were your earliest creative memories?
RF: Ach, memories... I remember as a young boy making people laugh by putting ping-pong balls in my mouth and firing them across the room like a cannon. I still sometimes do it now.


EO: You were a practical joker?
RF: Oh yes. That particular one always got a laugh. Apart from the time I nearly blinded my Aunt Golda. I also remember playing the piano at family gatherings. That got stopped by my parents, who didn’t like me going off all the time spending time with strange families. Such good pretzels...

EO: Did you receive formal musical tuition at that age?
RF: Sure, sure, that’s true, my later films dealt with the moral issues faced by most puppeteers at some point in their careers. Have you ever swum with dolphins?


EO: Er, no...dolphins...?
RF: To be a dolphin – they know how to live, and such a healthy diet. Can you hear ringing?


EO: Getting back to the question... Your early musical training...?
RF: Oy vey, so touchy... Coffee? My head hurts.


EO: Thank you, yes please. When did you first play the piano in public?
RF: What’s this, sweeteners...? No sugar... Right. Figures. What did you say...?


EO: When did you first play the piano in public?
RF: At my grandfather’s funeral, I played “I Got Rhythm” at the wake. Milk or cream...?


EO: What about when you composed your first piece of music?
RF: What about it?


EO: When was it?
RF: Sheez, he wants to know everything... Maybe ’41, or’42 - who knows? Milk it is...


EO: You were often compared to George Gershwin in your early career. Did this put unwelcome weight on your shoulders as an artist?
RF: You wanta talk about my new book? I’m up to my ears in alimony, and Christmas is coming up...


EO: Ok, we can edit this up later... Tell us about your new book.
RF: To me, Gershwin was totally unique, a one-off. A bit like my ex-wife’s sister. Such jowls... Anyway, it was true that his music inspired me, but to compare my music to his would be an insult to me, or him, or the other guy. What was his name...? You play tennis?


EO: Er, not for a while...
RF: You should get out in the sun. You’re pale.

EO: Your new book, Existential Meditations, is an investigation into the potential liberty of the repressed psyche amidst the domineering collective conscience of modern society...
RF: It is? I thought it was about thinking for yourself... I should read it again...

EO: What made you want to write the book?
RF: Well, my accountant kept calling me up and talking about negative this, or static that, so I knocked the book out to keep him off my back. You should see the car he drives.


EO: Perhaps then, you could give us your views on living in a profoundly materialistic world?
RF: I’m getting such a headache... I think that too many people worry about the wrong things in life. Who needs money anyhow? Alright, alright... so my accountant and ex-wife... okay, you’re happy? People should be more content with what they’ve got, and stop buying such big cars. Who needs a car this big? You think God would drive such a car? He’d take the bus. And food is another... You seen the size of some of these people? They should play more tennis too. A sandwich...?


EO: No – thank you. Do you think the media pressurises young people to look a certain way?
RF: Like what, skinny? Sure, sure. (into phone) Hello, room service? Yeah, can you send up a bunch of roast beef on rye with mustard to room 209? Oh, and another bowl of pretzels... (to me again) You’re sure...? (hangs up phone) What are you, fasting? What was the question again...?


EO: What kind of audience is your book aimed towards?
RF: Well, it’s not aimed at the types of people who fall asleep in front of all those shiny-floored TV shows on a Saturday night with their mouths wide open, and it’s not aimed at anyone with a hat size greater than 26 inches either. Anyone in between should find it interesting. Did I tell you the hardcover is specially discounted?


EO: What plans do you have for your work now that you’ve turned 80 years of age?
RF: I’m sure I’m only 79... Anyway, 79, 80, 90 – what’s the difference? I feel great. If only I could remember who the old woman is knocking round the house. Did you ask me something?


EO: Plans for the future?
RF: Well, I have a lady friend lives not far from here, we’re going to see a show tonight. Then tomorrow I’m having lunch with my agent – he’s another one, I thought my ex-wife was highly-strung...Then, who knows? You’ll play tennis Monday? We could catch a movie...


EO: I’m afraid I have prior work commitments...

At this point, room service arrives with a tray of sandwiches and some more pretzels...


RF: (to room service boy) Great, kid... just on the table here, that’s fine. Say, you play tennis?


EO: I’d like to talk a little about your acting career. Since 1962 you’ve starred in over forty successful films...
RF: Get away, how many...?


EO: At the beginning of your acting career you studied with such luminaries as Brando, Strasberg and Orson Welles. What was it like to work with them?
RF: You’re kidding... I knew he reminded me of someone... Brando you say? He never said... such a modest guy. Who were the others again? Jimmy Stewart? Jimmy was a great guy. He was such fun to have on the set, always fooling around and playing tricks. I remember once he hid Hitchcock’s hat. Hitchcock was furious, said he couldn’t work without it. Sometimes he would go too far, like the time he pulled Bergman’s chair out from under her just as she sat down – she went crazy and stormed off the set saying he’d made her look an ass. Gregory Peck was another one. He once staked his mother-in-law on a poker game. Lucky for him, he won. Thing was, he wound up winning John Huston’s sister in the same game and had to put her up in his trailer till they finished shooting. I could go on... How long you got?


EO: Please do, it’s fascinating...
RF: Sit down, sit down...Why don’t you start at the beginning?


EO: I’m sorry...?
RF: Of my career, you’re going to ask me some questions? Say, pretzels...


EO: Er, yes, perhaps we could talk more about your early acting career first...
RF: Ach, Jimmy Stewart, there was a great guy. He was such fun to have on the set...


EO: Yes, yes, Jimmy Stewart, you mentioned him... What about Brando?
RF: Bogart? Now there was a great man. All that tough guy stuff, right? He was a pussy cat. Let me tell you, I remember once he refused to come on set to shoot because there was a spider on the drapes. Mary Astor had to get rid of it in a glass before he’d come anywhere near. And that roughin’-up the women? You ought to know, they nearly had to get him a double one time when he broke a nail slappin’ Bergman around. Great guy though, sure, he could really turn it on. And his tailor too, I should’ve had such gabardine...


EO: Your early acting roles gave you the experience to draw on in your later, more challenging portrayals of some extremely intense characters...
RF: Not really. To be honest, when I started out, I wanted to work behind the camera,


EO: To direct?
RF: No, as a dolly grip. I always wondered what they did.


EO: I see. But you went on to give some truly memorable performances for which you were nominated for several Academy Awards...
RF: Yes, yes. These are great sandwiches. You should eat. You come all this way and don’t eat?


EO: I’m not hungry, thank you.
RF: You think I’m paying? My expenses tab reads like Dostoyevski. Relax, eat something.


EO: Thank you, but no. Maybe later. Could you tell us a little about how you made the transition from acting to directing?
RF: I told you my new book’s discounted in hardcover, right?


EO: I believe you did.
RF: If you’re sure. Now, directing... directing... I directed?


EO: Perhaps you could tell us a little about it?
RF: This guy knows everything... Do you work for the IRS? Sheez, they’ll want blood next.


EO: Er, yes, I’m talking about the successful films you’ve directed...?
RF: Nope... never directed anything in my life. You should speak to my accountant. He knows.


EO: I don’t work for the IRS, Mr Fishkin, Entertainment Occasionally.
RF: I don’t care if it is only occasionally, I never directed.


EO: From an artistic perspective, your directorial debut in 1975 was greeted with glowing reviews from some of Hollywood’s most revered authorities for its technical facility and visual awareness...
RF: No, no, that wasn’t me... Ach, you mean that little guy with the beard, right? Yeah, you got the wrong guy... You think I know where he lives? He could be anywhere... Try the Yellow Pages... Ok, ok, I might’ve helped out, but only with the cold cuts in the crew mess, and that was only for expenses and a piece of the leftovers action... My accountant will straighten everything out. He’s in the Athletic Club... you want passes? Sheez, and all for a lousy book plug...


EO: Ok, moving on from directing then, do you still write music today?
RF: One day he’ll ask me about the book... Now you want music? Alright, alright, so ask me about music...


EO: Yes, do you still write today?
RF: Actually, I’ve just written a new book called Existential Meditations which, incidentally, is specially discounted in hardcover. If I could remember what it was about I’d tell you, but it’s over 400 pages long. You’ll buy a copy? I could sign it for you...You see that pen...?


EO: Thank you, but I’ve read it. Do you still find time to write music in your busy schedule?
RF: You think I’m busy? I can do what I want, there’s plenty of time. People want me here, people want me there... Relax. Who needs to rush? You’ll just get a coronary. I fit things in. My agent should learn too. He’s only just turned 40 and he’s crunching Diazepam and wearing a toupee. Life’s too short. Sure, sure, I find time for music. I’ve actually just finished writing the first ever piano quartet. I plan to perform it in the New Year.


EO: Really?
RF: Sure. It’s in three movements. Adagio, Moderato, and Breakneck.


EO: That’s an interesting idea. Do you have any plans at this stage which pianists you might use for the performance?
RF: Pianists? Who mentioned pianists? I’m playing it myself.


EO: You’re playing four pianos at once?
RF: Sure I am. I got a great deal with Steinway. They’re putting my Grandkid through college. My agent set it up. In fact, they’re putting his kid through college too. The first ever piano quartet, with just one guy sitting amongst all these pianos. It’s a great idea, they’ll be selling pianos on the moon. I suggested an octet, but they’re worried about stages collapsing.


EO: Do you feel the need to cross musical boundaries because you’ve composed so prolifically for so many years?
RF: Because I’ve what?


EO: You have written a lot of music in your career...
RF: Yes, I remember writing some once.


EO: You’ve won several Grammys, amongst other awards...
RF: Yes, but that was by mistake.


EO: I’m sorry?
RF: They thought I was someone else...


EO: I see. Do you listen to a lot of music today?
RF: Ach, what are you, my shrink?


EO: Sorry Mr Fishkin, too many questions...?
RF: There he goes again, asking me another...


EO: Okay, I’m sorry... so, you have your piano quartet, your new book,
RF: Discounted in...


EO: ...hardcover, yes, and some concerts in the New Year. Don’t you ever think of slowing down?
RF: You’re tired? You should listen. It’s lack of sun. You look terrible. Here, I saved you some pretzels...


EO: Thank you. Perhaps, Mr Fishkin, before we finish, you would like to take this opportunity to address your many fans around the world with some words of wisdom?
RF: My head hurts, and look what he chooses to ask me... Can you repeat the question?


EO: What advice would you offer to any of your fans reading this interview?
RF: And now he wants advice... Well, to all the kids out there, I would first of all say get out and play some tennis, particularly if you know any nice girls who play too. Look after yourself. Eat plenty of oily fish and cereals if you can, but don’t eat too much oily fish. If you know any nice girls who like cereals, don’t play too much tennis either, particularly after eating schnecken. (to me) You got any aspirin? I don’t feel so good. Where was I? Tennis? Alright, already. Kids should learn to be themselves, especially if their friends are trying to be them too. People follow the crowd, which is great if you enjoy socialising, but all that can ever do is stifle creativity and pass round colds. Be brave, even if people think you’re weird. They’re weird. What the hell’s weird anyway? Okay, so my friend Benny Greenblatt, for sure. Basically, don’t worry about material things, or anything that doesn’t involve armed robbery. So you don’t wear a Rolex or drive a Mercedes? Who cares? Your health is more important, as are your family, loved ones, and especially your attorney. Finally, on matters of the flesh, I have come to realise that there is no such thing as love. There is much lust, deceit, and in the case of my ex-wife, loathing, but no love. So, if I was one of the kids out there today, I’d be... I’d be... Oy vey, it’s gone again...


EO: Rudy Fishkin, thank you.
RF: Pleased to meet you, kid... Say, you look just like the guy who did my last interview. You want a pretzel? Okay, okay, so fire away...We’ll start with my new book...?



© Matthew Jenkins, December 2010

mattofjenko@yahoo.co.uk







Wednesday, 8 December 2010

Harry



H
arry sat looking at the wine glass. It had been a difficult day. On this particular day, he had been drawn into a quarrel with a cantankerous custodian of the local library over the correct printer to use for black and white documents and had eventually been escorted from the premises by an old man dressed as a woman. Still, he had won the argument over the printer, and had even managed to leave the building with 40p’s worth of printing concealed under his coat.
            What was the world coming to? pondered Harry, as he topped-up his glass. Such hostility everywhere, and now, old ladies with goatee beards. He thought back to his childhood when he had regularly attended the very same library and once vomited on their copy of Aesop’s Fables. He remembered the librarian asking him to be quiet, and also how upset he had been not to be allowed to take the book home. Nothing’s changed, he thought, and now here he was approaching middle age, and with what to show for it?
            He took another sip from his glass. At 42, Harry had been married and divorced, had two teenage children, a job he hated (until recently), and a small family who made up for what they lacked in numbers in their sheer eccentricity. He thought about the mother of his children. In spite of her flaws, Harry had always loved his ex-wife, and had been shocked to discover her infidelity with a part-time bingo caller. In a rage, he had confronted his wife’s lover and attempted to force-feed him the number 37 bingo ball. He was however eventually restrained by several pensioners, one of whom had given him a mild concussion with an ash tray. Such injustice that it should happen to him, a man so devoted to his wife and family that he had turned down several advances by the opposite sex, as well as one once by a man in a train station. Well, perhaps his ex-wife had regretted her actions, something he had suspected ever since her attempt to electrocute herself one Christmas by bathing with the fairy lights. The bingo caller had soon eloped with an underwear mannequin from the local department store, and so his ex-wife, as well as having to live with the guilt of breaking up the family, would be forever plagued with feelings of physical inadequacy. Good.
            And what about the children? Harry was a doting father and had found separation from his children difficult, particularly when his 17 year-old daughter had started dating a boy she had met on the internet called Harold. His son worried him too, although his fondness for all things macabre, particularly his habit of sleeping in the cellar in a boxful of earth had at least kept him out of trouble with girls. Sitting staring at the wall, as he often did whilst enjoying his after-dinner bottle of wine, Harry drifted into a world of reminiscence. He soon found himself at the birth of his daughter amidst scenes of chaos as, resulting from the effects of sufficient pain-killing drugs to send a horse doo-lally, his wife’s legs had fallen off the bed. He never forgot seeing his daughter’s face for the first time as she was brought to him soon after he came round in the arms of the obstetrician. She had been the most beautiful thing he had ever seen, including his wife on their wedding day, and all without the need to spend nearly £350 on make-up. His son’s birth had been equally memorable. Harry had been very lucky, as he had first wanted a girl, then a boy, then private lessons from the long-legged brunette at the tennis club. Still, two out of three wasn't bad, and his children had loyally repaid his constant love and affection with cherished memories, and now a bald-spot that was starting to resemble a large egg in a nest.
            Yes, but where are they now? Harry was becoming a little drunk. He looked down at his empty plate, then across the table to an old photograph of his smiling daughter dressed as the Tin Man from The Wizard of Oz. Whatever they’re doing, they’re happy, he told himself, and being well brought up, even if by a mother who had the sexual morals of a rabbit. Besides, there were more pressing issues to contend with, like what he was going to do to earn a living now that he’d packed in his job.
            Harry had detested his job. Since he was at school, apart from a short period when he declared he would enter the space race, he had never known what he wanted to do when he grew up, and still didn’t now. Not wanting to think about his problem, he briefly rose to clear his things and put on some music before returning to his seat at the table that, as usual, hosted only his wine glass. As John Coltrane’s tenor saxophone caressed the curry-tinged air of the room, Harry tried hard to think of anything other than his career dilemma.
            He was soon distracted by pleasant thoughts of a young lady he had recently met whilst being attacked by a dog at a local beauty spot. Recovering from an operation to repair a hernia that had evidently been carried out by some kind of trainee, Harry had taken to going for walks in his favourite places in an effort to restore feeling to his reproductive system. On this particular occasion he had been sitting on a bench enjoying the view of the sea, when his attention had suddenly been drawn by a sizeable dog approaching at a speed suggesting an intention either to make lots of puppies, or kill something. Dismayed to deduce the latter, Harry had been forced to protect his vulnerable groinal region by doubling over and assuming the crash position as the dog struck. The lady that Harry was thinking about now had eventually caught up with her pet, who was soon distracted sufficiently to begin eating instead a small stick. For Harry, this had been a typical way to meet the opposite sex, as his past experiences had all been prophetically triggered by unfortunate circumstances. He once went out with a girl he had shared a car with at a funeral, and had actually met his ex-wife when she vomited on him in a nightclub. Although he didn’t realise it, Harry sat smiling at memories of difficult situations in which he had so often found himself whilst in the company of past romantic interests. There was the time when he had mistakenly smeared hot mustard onto a sirloin steak whilst on a first date and had almost passed-out attempting to eat it rather than admit his error. Then there was the incident at his mother-in-law’s house when he had fainted whilst answering the call of nature and was found sprawled in the bathtub. And of course, he would never forget the time when he had sunk his uncle’s boat whilst trying to impress a girl with his sailing prowess and had been forced to watch as she was rescued by a windsurfing ex-Chippendale.
             Returning to the present, Harry thought about the girl with the rabid dog. Was he interested in another relationship? This he didn’t know, although he did sometimes wonder about getting a budgie. Ever since his ex-wife’s adventures with the bingo caller, he had sworn never to trust any woman again, even if she did look like the one on the Timotei advert. Perhaps he would just like to be friends with someone, and therefore not have to worry about all that other stuff that only ever gave him hiccups. Yes, it seemed there was a lot to be said for a platonic relationship, particularly if one half of it was a neurotic wreck. The girl with the dog had seemed very nice, and Harry couldn’t help but think how effortlessly their conversation had lasted until they had reached her car. Admittedly, it had been parked only across the road, but even this was a result for Harry, who had usually struggled even to smile at a girl without getting his words mixed up. They had bid farewell and vowed to look out for each other again, and as she drove away with a smile and a wave, Harry had not felt so good for a long time.
            Still thinking about this recent incident, Harry found himself in the kitchen opening another bottle of wine. It was no good. Even if he was somehow transformed into a strutting Adonis, since he’d left his job at the herbarium all he could ever afford would be a date at the cafe on the corner run by the woman with the tattooed forearms. He still couldn’t face thinking about what he was going to do for money, and as he took his glass to the sofa, his mind turned to his writing.
            Since the breakup of his marriage, Harry had sought solace in writing when he had discovered an old-fashioned typewriter at a car-boot sale. He had written several pieces about his ex-wife for which he one day hoped to sell the rights to an occult magazine recommended by his son. He had also come up with some ambitious essays on such lofty topics as philosophy and art, as well as a one-act play based on his marriage, entitled Flies Down For a Full House. Recently, Harry had been seized with the idea to sell his work, and so had been in touch with several publishers in an attempt to promote his growing portfolio. A literary journal had shown some interest in his piece on meta-ethics but had ultimately been turned down by Harry, who had refused to remove the illustrations. His reflection on the role of country dancing in modern society had drawn a blank, despite its frankness and moral relevance. Meanwhile, universal rejection of the piece he considered his best work to date, a 180,000 word epic juxtaposing the subject of psychological dysfunction with several of his favourite pasta recipes had depressed him, and he had for a time considered retiring as a writer. As he reclined on the sofa, Harry thought about his works-in-progress. He always worked on at least two pieces at a time. That way, if he got stuck on one, he could always fall back on the other until inspiration struck. He also liked to leave his manuscripts lying around his flat, as he enjoyed their company and often had deep conversations with them. He currently had high hopes for a comedy screenplay he had written inspired by his former work colleagues at the herbarium entitled Pass the Hemlock, which he had forwarded to several agents as well as his ex-boss. Perhaps, Harry wondered, one day I will be recognised for the talent that I am, and not just as the bloke with the bald-spot like an egg in a nest who wanders round the supermarket on his own.
            Harry hadn’t noticed that John Coltrane had long-since packed away his saxophone and retired to the bar. This had been a typical evening for Harry, as he had sat thinking his thoughts with his wine to the accompaniment of some favourite music, and the sound of the man in the flat upstairs apparently either entertaining a lady-friend, or bench-pressing a piano. Although he wouldn’t realise it until he tried to stand up, Harry had become very drunk. The job... the job... he thought. What are you going to do? He tried desperately to think about something else.
            The girl who had saved him from her dog once more popped into Harry's head. She had been very attractive, despite the presence of the ubiquitous nappy bag that had swung at her hip like the scrotum of a large bull. She was typical of the type that Harry would go for, particularly in her habit of not only acknowledging his presence, but also for talking to him for what had seemed like a whole three minutes. Harry wondered if she had liked him. She certainly had a nice smile. Maybe I could bump into her again? Would it be obvious? Why? I go there all the time anyway... She might be hoping to bump into me! Perhaps I could ask her for a drink, perhaps...I...I...perhaps...I...
            Harry woke up at 2.30 am from a vivid dream in which he had asked the girl with the dog to go out for a drink, and as she had replied yes he suddenly realised that she had a goatee beard. As he peeled himself off the sofa, Harry remembered what it was that he’d been trying not to think about all night. The job. Well, there’s always tomorrow, he thought.
            Harry stood swaying in the dark room thinking about big eyes, big smiles and big nappy bags.
            Then, finally, Harry went to bed, and dreamt about bingo.


© Matthew Jenkins, December 2010
mattofjenko@yahoo.co.uk